( THE FRANK PRINCE) CHAOS AND COLOR This is the place where nightmares and princesses dance together. In Nemo Aguila’s first one-man exhibition MANSTERS AND PHONY TALES, he decides to delve insidethe play zone of his own unconscious, drawing out colorful creatures that have influenced both his pastand present life as an artist, and more importantly, as a child. Or if you look at them, perhaps, an amusing combination of both. Within his recent collection of works, the artist transforms characters encountered during his childhood into gruesome things that grew an extra pair of eyes or sharpened teeth, images which are much closer to the graffiti characters that he had been painting and marking on walls for years now. Nemo comicallydescribes them as “Snow White meets Freddie Krueger” or “Batibot gone wrong” instances. This may bea simple symbolism for the bridging of two timelines in his life, of innocence and the slow destructionof it, and basically the realization that as