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Deform Industry's new blog!

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conversation with nemo!

"sick.sweet.raw.jaw dropping.wicked painter in all sorts of canvass" -okto Streetkonect: how old are you? 23 Streetkonect: where do you live? And describe the art scene in your place. ususan, taguig city mjo patay ang art scene smen puro kc gangster at adik bubuhayin pa lng nmen ni whoooop! hehe Streetkonect: How would you describe your art and your artistic process? cguro un description nung gwa k di nalalayo s pop-popsurreal/popsocial- surreal tas automatism tas imagintaion based.twag nung iba lowbrow art.. pagkakaalam k kc ksma street art at graffiti dun.. un proseso dpende s kung anu un ggwin e.. minsan me studies minsan nman wla, automatism tlga. tas minsan un mga subliminal images n mkkta m ng bglaan. halimbwa un image n nbbuo s marmol at un image s mga lumot tas un image n mkkta m pag tinamaan ng liwanag un wytbord at kung anuanu pa.. imaginary prends tska mga drowings ng bata. dun ngcmula un mga halimaw Streetkonect: Who/What are your influences? s lokal mda...

2014 Review: Hashtag Street Art

Kinda depressing that street art, which was once all about illegal interventions, is now all about commissioned murals with scissor lifts. — Marc Schiller (@MarcDSchiller) December 14, 2014 Street artists need to exercise their voice more on the street. They need to once again "steal space" and become our voice of dissent. — Marc Schiller (@MarcDSchiller) December 14, 2014 Street artists need to exercise their voice more on the street. They need to once again "steal space" and become our voice of dissent. — Marc Schiller (@MarcDSchiller) December 14, 2014 What Sara and I loved about street art was that it was illegal. It was about stealing space. That seems, for the most part, to be all gone — Marc Schiller (@MarcDSchiller) December 14, 2014 Tweets by the co-founder of Wooster Collective.Might be the reason why they aren't updating the site more often than 2006 or 2007.

powered by leslie!

tnx leslie and crookey for always feeding the starving street artists!...

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